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Martin Schongauer by Max Lehrs
Martin Schongauer by Max Lehrs









Martin Schongauer by Max Lehrs Martin Schongauer by Max Lehrs

Hyatt Mayor saw both their individual styles in different parts of a single engraving, and all the works with Schongauer's M†S monogram show a fully developed style. He may well have been trained by Master E. Colmar is now in France but was then part of the Holy Roman Empire. Schongauer was born in about 1440 in Colmar, Alsace, probably the third of the four sons of Caspar Schongauer, a goldsmith from Augsburg who taught his son the art of engraving. He was the most important printmaker north of the Alps before Albrecht Dürer. 1445, Colmar – 2 February 1491, Breisach), also known as Martin Schön ("Martin beautiful") or Hübsch Martin ("pretty Martin") by his contemporaries, was an Alsatian engraver and painter. Recent scholarship, building on the work of Max Lehrs, attributes 116 engravings to him, with many also being copied by other artists, as was common in the period.Martin Schongauer (c. His style shows no trace of Italian influence, but a very clear and organised Gothic, which draws from both German and Early Netherlandish painting. Vasari says that Michelangelo copied one of his engravings, in the Trial of Saint Anthony.

Martin Schongauer by Max Lehrs

The bulk of Schongauer's surviving production is 116 engravings, all with his monogram but none dated, which were well known not only in Germany, but also in Italy and even made their way to England and Spain. Schongauer is the first German painter to be a significant engraver, although he seems to have had the family background and training in goldsmithing which was usual for early engravers.

Martin Schongauer by Max Lehrs

He was the most important printmaker north of the Alps before Albrecht Dürer, a younger artist who collected his work. Martin Schongauer, also known as Martin Schön or Hübsch Martin by his contemporaries, was an Alsatian engraver and painter.











Martin Schongauer by Max Lehrs